It wasn’t a huge success, but Tucker would have a big hit in a later decade with “Tennessee Waltz” and again in the 1960s with “Tennessee.” One of the first hits that attempted to build on the rub-a-dub-dub sound was “Avalon” by Tommy Tucker, released in 1949. Artists began recording in the studio with a sound that incorporated elements of several record styles and what was coming from radio broadcasting as well. People began to like new styles of music and the way they sounded on record. That was the first time he heard the sound he would associate with his friend Nissman – the rub-a-dub-dub sound, whose invention is credited to Nissman.ĭuring the late 1940s and early 1950s, as the recording industry changed its business model to make more money from selling records than making them, consumer tastes changed as well. Nissman explained it had a curious sound, like a whistle, and Clinton then went down to hear the record. When he began his career in radio, his new friend and partner in the medium, Dewitt Clinton, heard him telling a story about hearing a record made by a band he had never heard of, the Smoothed Ones.
Nissman is also an important figure in American music history, as one of the first record producers to turn to the recording studio as a testing ground for new sounds.
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